Showing posts with label literary fiction. Show all posts
Showing posts with label literary fiction. Show all posts

Sunday, June 8, 2008

The Enchantress Of Florence Will Have To Wait

When I heard Salman Rushdie talk about his book Shalimar the Clown on NPR I bought it immediately. I mean right away (that day). In hardcover. In 2005. What do I have to say about it? Nothing. I still have not read it.

So, having just had a similar experience (again, NPR is the culprit) with The Enchantress of Florence, I have decided to wait for the paperback version. The thing is that I have never read any of Rushdie's books. Ever. I don't even know if I would like them.

As a result, I'll definitely buy it, but will wait until it is 20% off and in paperback.

Saturday, May 3, 2008

Of Course The Main Character Is 29

I have always thought that being 29 made people a little crazy and, even, a little bit distasteful. The nicest 28 year old and the coolest 30 year old was probably a pain in the butt at 29.

Anyway, I heard about The Book of Dahlia by Elisa Albert on NPR this morning. I am interested because it is supposed to be funny (not as funny as Ant Farm by Simon Rich that I wrote about here), but I am not really buying what the write up is selling.

I would normally avoid any and all entertainment that involves someone suffering from cancer, but could be persuaded if it was done in such a way that was funny (which is, apparently, what this book does).

But, I just don't believe it can be truly funny and not annoying (mostly because the main character is 29).

Sunday, October 7, 2007

This Just In From Oprah

Love in the Time of Cholera by Gabriel Garcia Marquez is the newest Oprah’s Book Club selection. Set in the Caribbean coast of South America, spanning multiple years, filled with a type of romance and beautifully written. And, yet, I have never been able to finish it. Ever.

I really want to read this book and, I swear, one day I will persevere, but I never make it past page 20 or so. I have started it so many times that I have basically memorized the opening sentence (which, I think, is one of the best lines ever written):

“It was inevitable: the scent of bitter almonds always reminded him of the fate of unrequited love.” (3)


It is the same story with 100 Years of Solitude by the same author (Oprah’s 2004 selection). But, worse, in the case of 100 Years of Solitude I have started it twice as many times!

Sunday, August 19, 2007

The Uncertain Hour

The Hours by Michael Cunningham and Being Dead by Jim Crace are two of my all time favorite books. When I saw that both Cunningham and Crace endorsed a new book, I bought it immediately.

The Uncertain Hour by Jesse Browner is a masterpiece and it is impossible to put down. Based on the basic description (a “vivid portrait of life in Rome” and “a gripping entrĂ©e into the mind of a great man during his final hours”), I thought there might be parts of it that would be like Never Let Me Go by Kazuo Ishiguro (not in terms of the narrative, but in the sense that the main character in both books are confronting their own death).

It is not. In general, I liked Never Let Me Go (I wrote about it here), but the narrator in The Uncertain Hour is far more philosophical and his anguish more palpable and so the book forces the reader more fully into the story.

I generally require narrative first and writing second (I learned that from Only Revolutions which I wrote about here), but in this book the reader gets both. Plus, it is filled with numerous excellent quotes so these are just a few of my favorites.

On living and death:

We owe so little time to life, and all eternity to death, so let’s pay off our small debts first, Petronius. (32)


On reputation:

A man’s reputation is a delicate vase, vulnerable in equal measure to the malice of enemies, the prurience of strangers, and the clumsiness of friends. (44)


On civilization:

“When it comes down to it, he thought, isn’t all civilization just an exercise in measuring time, in pacing off the foundations on which to build a model of the universe of oneself?” (138)


On love and empire:

“I believe in love just as I believe in empire. They’re both transactions between partners of unequal strength, dressed up in heroic rhetoric.” (170)



It is not often that I read a book and have no complaints, but, in this case, I am unable to think of even one.